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The following program deals with controversial subjects.

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The theories expressed are not the only possible interpretation.

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The viewer is invited to make a judgment based on all available information.

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Tonight on Sightings, some claim this man is a real live werewolf.

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And those who were savagely attacked believe it's true.

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He's seen the transfiguration of a man into a wolf.

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Then this woman captured eerie images on film that have baffled scientists.

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Some say they're UFOs, some say they're ghosts.

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Our experts attempt to unravel the mystery.

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Welcome to Sightings. I'm Tim White.

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In a new investigation, we found that werewolves seem to be more than just fantasy.

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They could be victims of what's known as lycanthropy.

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Without warning, victims say that they're turned into raging animals.

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The cause? Well, some believe it's a mental illness.

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Others, that it's the result of demonic possession.

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Rational men who turn into irrational salamanders

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who turn into irrational salivating beasts

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may be Hollywood's version of a classic werewolf.

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But real werewolves are created by makeup artists.

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To outsiders, this small English town of South Indon Sea

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seems quiet, picturesque, even quaint.

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But there are secrets here, an evil that lies just beneath the surface.

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You can't see what invisible danger lurks here until Bill Ramsay tells you his story.

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The story began when I was nine years old.

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It was a very warm summer evening.

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Suddenly the air went very cold.

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There was a terrible stench in the air.

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And I just flew into the most horrendous rays.

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My mother-in-law came out to see what the hell was going on.

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The fence post was a two or three inches square.

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It was set into concrete in the ground.

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I pulled it out and smashed it on the floor until it broke.

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I don't think I could do that now.

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I don't know if I just could make out why they have a little nine-year-old boy.

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I suddenly started to act virtually like an animal in the garden.

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Bill Ramsay thought it was an isolated childhood event.

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He grew up, married, had children.

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But then the violent episode from his childhood came back to haunt the adopt.

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Strange animal behavior would overtake him.

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Violence he couldn't control or explain.

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At first he could keep it secret.

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But then one day, Bill Ramsay bit someone in public.

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And the animal inside him wasn't a secret anymore.

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Soon after, Ramsay attacked a nurse at Southend Hospital.

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I just had the feeling that ultimately I would kill somebody.

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Then, without reason or warning, Bill Ramsay attempted the murder of a police officer.

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He was locked up and his life became a tangle of police psychiatrists and reporters.

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I envisaged being in prison for the rest of my life,

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or in a secure mental hospital for the rest of my life.

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For something I knew I would never be responsible for.

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The unassuming man with the tragic secret was famous now, as the werewolf of Southend on sea.

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What was causing it?

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I was literally, it felt like just committing suicide.

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Word of Ramsay's bizarre behavior spread as far as rural Connecticut,

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where authors Lorraine and Ed Warren were intrigued.

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The warrants had documented over 7,000 cases of the paranormal,

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and for the past 24 years lectured on demonology at major universities worldwide.

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Like I told Lorraine, I said, Lorraine, I'm not going to go before the public and start talking about a werewolf.

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I said it's going to be interesting to go there, see what we can do to help this man, but that's about it.

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He felt that that was just stretching our credibility, just a little too far to believe in werewolves.

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But I believe.

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The warrants went to England to investigate Ramsay's case.

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They had many questions. Was Ramsay a common criminal? Was he mentally ill? Or was he really a werewolf?

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Possessed by what they believed was the devil.

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They spoke with Inspector Tony Belford, who was there the night Ramsay tried to murder a fellow officer.

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What I actually saw that night, I couldn't really understand what it was.

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All I knew that it was something that I'd never witnessed before. It was not natural behavior.

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That night Bill Ramsay became confused and lost control. He picked up a prostitute and without explanation drove her to the police station.

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So I took the prostitute inside, leaving Sergeant Terry Fisher out in the yard with Ramsay.

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He had these mad staring eyes and this maniacal expression. That's all I can describe it as.

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The worst thing was what he was saying and it was said in a very benevolent way.

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Now, quote from the report I made shortly afterwards, he was saying,

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The devil is in me. When the devil is in me, I am strong. I'm going to kill you. I am strong and you are going to die.

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Ramsay lunged for the sergeant's throat. Fisher unarmed responded with a powerful me to the groin.

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He sort of went, oh, and crouched down and he shrugged it off again. He became stronger.

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And when I came out into the yard, I saw Terry Fisher on the floor just over in this location with Bill Ramsay sitting on top of him with his hands around his throat.

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Then there were Bobbies that came to their sergeants aid and he threw them off in their words like they were matchsticks.

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Little voice back here said, Terrence, you come unstuck this time.

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When you see the size of this ex-police officer, you'll say to yourself, what scared him so much?

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Why this one experience? Because he's seen something that very few people ever see.

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He's seen the transfiguration of a man into a wolf.

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It took five officers to subdue Bill Ramsay, who was not under the influence of any drugs.

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When I saw his snarl and he growled, it was the impression of his lips turning up and showing his teeth.

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And I can recollect actually saying at the time in the reports that I filed that he took on the appearance of an ad-dult.

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Like a caged animal, Ramsay tried to escape.

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His head, right arm up to his shoulder was outside this hole.

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It's difficult to actually visualise a head and an arm out there that I can assure you.

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I saw it, five or six firemen saw it, doctors saw it, and I would suggest up to seven great policemen saw it.

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None of which could believe what we've actually seen.

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Finally, Ramsay was heavily sedated, soaked with liquid soap and squeezed back through the hole.

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Badly shaken, Officer Fisher took early retirement.

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Inspector Belford was left to account for Ramsay's bizarre behaviour.

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I submit this report for your information and to have recorded the fact that it is in my opinion that this man will, if not controlled, end up causing fatal or serious injury to some person.

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Criminal charges were not filed. Instead, Bill Ramsay was committed to a mental hospital.

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Everybody thought I had a mental problem. It just didn't seem right, but I had no other answer.

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I couldn't say, well, it's not a mental problem. So, would you do this normally then, dear? Does everybody's this normal behaviour?

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Of course it was a mental problem. Where else could they send me? There was nowhere else.

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After psychiatric tests failed to pinpoint the source of Ramsay's behaviour, he was released.

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What is left? The paranormal, the unknown, and that's where we come in.

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Lawrence told me that it wasn't a mental illness. I had no mental illness.

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I was possessed, demonically possessed, with a wolf spirit.

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Oh, God, I've heard it all. And he kind of closed the evening with them.

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Would you come to the USA and be exercised?

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Exercise? Come on! There's some absolute rubbish they've given me here. But maybe.

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I've been through all the other avenues, remember?

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Coming up next, the shocking real-life exorcism, when our frightening werewolf story continues.

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The lips rolled up, the teeth protruded, and he tried to fight.

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Bill Ramsay was sceptical about the assertion that his werewolf behaviour was caused by demonic possession.

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But ultimately, in desperation, he made the decision to go to America for an exorcism.

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A British newspaper paid Bill Ramsay $20,000 for the rights to his story.

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His private ordeal was now a public spectacle to be played out in rural Connecticut.

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It was here that the Warrens introduced him to Bishop Richard McKenna,

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a priest who had performed the dangerous ritual of exorcism many times before.

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The exorcism is no question about that.

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I would think that being possessed by the devil is the worst evil that could befall anyone.

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I didn't know what to expect, and when you enter in a realm of the unknown, you're obviously very, very scared.

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Since Ramsay had shown superhuman strength, six bodyguards with stun guns protected the bishop.

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The still photos are the only visual record of the exorcism.

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Lord permitted the devil could easily kill the exorcist.

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As I proceeded with the prayers, he didn't seem to be himself.

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There was just some other person taking over him.

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He himself seemed to go into a kind of a daze.

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I remember him coming to me at me with that stole, placing it on my head,

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and it's as if he'd hit me with a hammer almost, because I just did not know anything after that.

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It started from behind him, and the muscles in the back of the neck all began to enlarge,

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and the ears began to point, and he howled.

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Speak, devil, and in the name of God.

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Leave him alone. Go back to hell where you came from.

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Then the hands clawed in such a manner that no human hand could claw like that.

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He had begun to make the signs of the cross on his forehead, and then pressed,

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and then he would violently react and snap his hand at me, and he snarled like an animal.

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The lips rolled up, the teeth protruded, and he tried to fight.

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Come again, you are ready to come for watching through here.

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You are, Satan, leave him alone.

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When the devil did leave him, he came to himself.

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As I came out the exorcism, you feel that you're a new person.

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The man was freed. The man was freed.

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I felt I wanted to kiss him, kiss Bishop McKenneth, because what he'd done.

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I believe that I was ultimately possessed by the devil, yeah.

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Was Bill Ramsey mentally ill, or the victim of demonic possession?

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No one knows for sure, but one thing is clear.

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What the police, psychiatrists, and his family couldn't help, the exorcism did.

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Ramsey returned home to England, and in the three years since his exorcism,

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Bill Ramsey has not had a single violent episode.

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Coming up next, this woman captured eerie images on film that have baffled scientists.

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Some say they're UFOs, some say they're ghosts. Our experts attempt to unravel the mystery.

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Almost every time Massachusetts housewife Stella Lansing takes a picture,

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she gets unexplained images on her film.

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Using any type of camera at all, with any type of film or videotape,

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Stella Lansing records what appear to be images from another dimension.

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We've all had strange things show up on our pictures.

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Glitches, scratches, strange patterns of light and shadow.

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Weird images are bound to show up every once in a while,

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but researchers in the field of paranormal photography believe some of these photos

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are actually a window to the supernatural.

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For 30 years, Stella Lansing has captured bizarre anomalies on film and videotape.

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Nearly every single time she takes a picture or shoots own movies,

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strange images appear. Here, a severed arm mysteriously floating in front of this woman's head.

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Strange facial lesions mark her own self-portrait.

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A mysterious monk appeared while she was taping a television special about Queen Elizabeth.

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There's a series of unique clock-like images that defy cinema and time logic,

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and were unheard of in the field of paranormal photography, until now.

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I probably didn't realize that it was any kind of a gift or anything in the beginning.

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I was just trying to get proof of what I was seeing.

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I tried with every kind of camera I had, and as this went along,

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I asked someone if only I had a movie camera and they let me borrow theirs,

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and that's when I started to get my very first nighttime sighting.

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There is usually a rational and mechanical explanation for what produced a given image on the film,

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as opposed to a supernatural answer.

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The idea that Stella was experiencing more than just mechanical failure

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first occurred to her while shooting these high-tension wires near her home in Massachusetts.

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Suddenly, this burst of light came off of the knoll that I was just facing there,

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and shot up, you see, in that direction, toward the moon,

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in the direction of the moon, south, southwest, and as it did,

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all these multicolored lights were flashing, and that's when I got this object that looks like arms sticking out.

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A frame-by-frame analysis of Stella's super-aid film reveals these astonishing images,

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a group of four men, which photo experts have named the occupants.

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In the 20 years since this super-aid image was captured, photo analysts have debated its authenticity.

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I took the footage of the occupants to the Brooks Institute,

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the prestigious photography study center in Santa Barbara, California.

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What could affect a photographic negative like that?

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A stray light entering from a small hole near the camera lens,

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possibly some kind of after-effect when the film was taken out of the camera,

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some kind of a very fine, hard, and short light strike that produced those patterns.

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Eight millimeter motion pictures are so small frame-by-frame that it's virtually impossible to fake them

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without a sophisticated laboratory and animators.

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You'd have to run a Walt Disney studio to do it.

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A person like Stella Lansing could not do it.

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Even more mysterious than Stella's super-aid image of the occupants

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is what happens when the film is transferred to videotape, then unidentified voices suddenly appear.

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Analysts could not explain how Stella's silent eight millimeter film, with no soundtrack,

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could suddenly produce sound, replayed here at a slower speed.

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With no technical knowledge of photography herself,

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Stella searched for someone who could explain the images in her photos.

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Dr. Bertold Schwartz, noted psychiatrist and author, took her case

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and has been studying Stella Lansing for 21 years.

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When I first met Stella, I became more and more curious

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because here is a human being that gets these things, the kind of things you read about in the paper,

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but to sell them documented as one would prefer.

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In fact, it was Stella's meticulous records that set her apart.

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For 30 years, she had kept detailed logs of all her photos and films.

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As one went over the notes that she had laboriously collected through the year,

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she'd write on the film box, or she'd write on scraps of paper, she'd collect clippings,

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and you put it all together, the story seems to hang together.

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And we have to ask the question, how do we explain it?

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Questions and questions and questions, but then it becomes fascinating,

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a real mystery of the first order.

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Some of Stella's most bizarre images are referred to as the clock series,

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images captured on film that surround such things as airplanes and church steeples,

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appearing at night and during the day.

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Strangely, when the single lights of the clock formations are enlarged,

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they reveal spacecraft-like images, and even more astonishing,

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these so-called spacecraft extend beyond the edge of the film frame.

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It overlaps the frames.

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Indeed, the time-space barrier is smashed in some way by this house wave.

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We ran the clockwork patterns on Stella's photographs.

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What do you make of them?

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I can find some rationale in calling them a mechanical problem in the camera.

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Some of the consistencies from frame to frame indicate that the exposure was produced,

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not in the camera, but somewhere as a light leak entering the camera,

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or some other pattern.

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The pattern appears to be very similar, but not always the same.

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But Stella Lansing still got the clock-like formations

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when she used six different cameras, two different types of film,

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inside, outside, in daylight, and at night, in five different states.

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She even succeeded when her camera was switched for another at the last moment.

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So could Stella Lansing be somehow affecting her film subconsciously?

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To find out, Dr. Schwartz has subjected Stella to psychiatric evaluations and brainwave analyses.

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In 1971, Dr. Schwartz himself filmed this breakthrough field study.

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He and Stella journeyed from Springfield, Massachusetts to Monson Hill

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to the power lines where Stella first photographed the occupants.

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Stella's saying, well, they're going to come, they're going to come, they always do.

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And by golly, we see these two orange or reddish-orange globes.

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First, there's one, then there's two, they're blinking, they seem to hop around.

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Aim my camera at it.

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I hope I'm capturing this. I don't know.

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What does this mean?

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This causes me to believe that either there's some type of mind projection,

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either she's somehow projecting these images onto the film from her imagination, from her own mind,

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or that another theory, which is certainly not provable, not by me anyway,

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is could things exist in another dimension in a borderline way

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where they flicker in and out of our dimension?

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Twenty-one years later, we accompanied Stella two months in Hill,

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the site of her original photo expedition.

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We wanted to see if Stella would get the same paranormal images under our own controlled conditions.

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There's some kind of interaction here. Whatever it is, I don't know what it is.

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But for some reason, it's just like when I'm driving, I seem to know where to look.

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I mean, I don't have eyes in the back of my head, but I seem to know when to look somewhere,

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and I look like that, and there it is.

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Stella also took still photos of our sightings producer and camera crew,

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and surprising results occurred at the Palmer Photo Lab, where Stella's film was developed.

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The first thing their technician ruled out was like flare.

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This is what's interesting right here. This seems to have solidity to it here.

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It's almost in oval shape, and right here also has the same thing. That is really strange.

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It has all the attributes of classic camera flare.

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But all the light was behind Stella, not behind the subject.

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There appears to be some sort of light source just breaking over her shoulder.

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But it would be visible to the naked eye. It would be like a flash bulb or something.

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It could have been a very transitory event, very short in duration,

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where the human-eye and brain in combination just didn't recognize it.

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But the film did for whatever reason.

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I believe in what I'm doing, and I know there's something out there,

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and nobody can tell me it isn't.

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Debate continues on what is actually appearing in Stella's films.

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We'll keep you updated on the results of future investigations.

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With the study of paranormal phenomena in its infancy,

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we may never know for sure what's really appearing in Stella Lansing's films.

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Are the images ghosts, UFOs, or some unexplained byproduct of Stella's own mind?

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Coming up, an exclusive sightings update when we revisit a Texas family

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threatened by a sinister apparition.

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Sightings, we brought you the story of the Lomonas family of Dallas, Texas,

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who said they were being terrorized by a ghostly entity.

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To rid their house of the ghostly presence, the Lomonas has participated in a seance.

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Our team of psychics appeared to make contact, but since then, the entity has returned.

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We have decided to move. Things are still happening here in the house.

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She knows that I don't want her terrified and I don't want the children scared to death,

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and it's best that they move.

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The Lomonas' can't live with the fear any longer. They've moved out.

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But no one knows what awaits the next family that lives in this Dallas house.

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To report your sighting, call 1-900-740-SIGHT.

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Each call 75 cents a minute. Average call as two minutes and you must be 18 years or older.

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Again, the sightings hotline 1-900-740-7483.

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On the next sightings, have our shuttle astronauts captured photographic proof of real star wars

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between extraterrestrials in our military and our hunt for modern day vampires

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uncovers evidence of sinister motives. On the next sightings.

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Join us next time for new investigations. For Sightings, I'm Tim White. Good night.

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In the tradition of in living color comes a new comedy that's way out there. The Edge.

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For humor with a bite, catch Julie Brown in the series premiere of The Edge.

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Tomorrow after a full hour of cops and an all new Code 3.

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Now, Fox's Friday Night Search Party continues with an all new episode of Likely Suspects. Next.